The BeesNeez Pro Audio Tribute 2 is an Australian-made large-diaphragm tube condenser microphone inspired by the ELA M 250 and 251 tradition. Combining a handcrafted BeesNeez CK12 capsule, a NOS 5784WB tube and a BeesNeez-wound toroidal transformer, it brings vintage-inspired character into an original microphone design with nine selectable polar patterns.
Rather than reproducing a historical microphone component for component, Tribute 2 uses BeesNeez’s own body, headgrille and connector format. Its design draws on the tonal qualities associated with classic CK12-based microphones while providing additional directional flexibility for modern studio work. BeesNeez positions it closer to an ELA M 250-style tonal concept, distinguishing it from the more historically faithful BN251.
 
At its heart is the BeesNeez CK12 capsule, recreated around the original design’s intricate acoustic construction. Its brass-ring structure, edge-terminated dual diaphragms and complex internal acoustics form the foundation of the microphone’s presentation. BeesNeez describes the result as open and airy, with smooth midrange information and detailed low-frequency reproduction.
The capsule works with a dedicated tube amplifier circuit using a NOS 5784WB valve. A BeesNeez T14–T toroidal transformer completes the output stage. These components are developed as part of a complete microphone system, combining valve character with the clarity and presence sought in demanding vocal and acoustic recording.
 
Nine selectable polar patterns cover omnidirectional, cardioid and figure-eight, with intermediate positions for finer directional adjustment. This range allows engineers to explore the relationship between direct sound, room ambience and neighbouring sources without changing microphones. Pattern selection becomes a creative recording tool as well as a practical means of managing pickup.
 
Cardioid is a useful starting point for close vocals and individual instruments where reduced rear pickup is desirable. Omnidirectional settings offer an alternative when the room contributes positively to the recording, while figure-eight can support arrangements requiring side rejection or pickup from the front and rear. Intermediate patterns provide further scope to match the microphone to the performer, instrument and acoustic space.
 
Tribute 2 is particularly relevant to lead vocals, acoustic guitar, piano, strings and ensemble recording. Its combination of tube circuitry and CK12 capsule character offers an option for productions seeking an open presentation without giving up body and tonal richness. The final result remains dependent on source matching, microphone placement and room acoustics rather than any single component alone.
 
The manufacturer specifies a frequency response of 20 Hz to 22 kHz in omnidirectional mode and 20 Hz to 20 kHz in cardioid and figure-eight. Sensitivity is rated at 17 mV/Pa in all three principal patterns, with a nominal output impedance of 150 ohms and a maximum sound pressure level of 130 dB.
 
BeesNeez manufactures the capsule, headgrille, transformer, body and power supply in-house in Australia. This approach gives the company control over the microphone’s electro-mechanical construction and the way its components work together.
 
The supplied package includes the microphone, a swivel mount connector with lead, its dedicated external power supply and a black hard carry case. Tribute 2 requires its external supply rather than standard 48 V phantom power. The system should be connected and configured according to the supplied instructions, with the correct mains setting confirmed before operation.
 
For engineers and producers seeking classic tube-microphone influences in an original Australian-made design, Tribute 2 combines CK12 capsule construction, a dedicated valve signal path and versatile pattern selection. It is a studio recording tool for capturing performances with character while retaining the flexibility to adapt to different sources and spaces.